My summer project... You got a sneak peek last month but today I'm starting this project in earnest.
Throughout the summer I will re-publish my articles and short stories that have been published in a variety of venues--trade magazines, literary journals, magazines, newspapers, and books--since 1992. And For the Love of Books was published in 1992 in the Manitoba Child Care Workers' trade magazine. Back then, I was engaged but yet to marry.
For the Love of Books
by Leanne Willetts (now Dyck) Child Care Worker III
When we think of reading to infants and young children many questions arise. Here I will answer three of the most commonly asked questions.
What, if anything, does the infant gain from this type of experience?
The positive effects of the reading experience are four-fold. To begin with reading is of immense benefit to early language acquisition. The infant is repeatedly exposed to a few words in an interesting and stimulating format providing him/her with a golden opportunity to expand upon a limited vocabulary at a manageable pace. Second, reading is an effective way to strengthen the bond of adult to baby. During those few precious moments, the child has your total attention, nothing exists in the universe except the two of you. Third, the sound of your voice is a wonderful preparation for nap or bed time. Fourth, the fine illustrations found in picture books provide excellent visual stimuli. Illustrators draw from the limited experience of the young child's world. They draw common items such as balls, cats, dogs, faces, which the child no doubt has had experience with. Infants are by nature egocentric and these illustrations have great appeal to them.
***
Visit next Monday to read the conclusion of this article.
***
Next post: Raving about A Trick of the Light by Louise Penny
Leanne Dyck blogs three days a week about... Homespun Monday (who am I without a pen?), My Author Journey Thursday (reading, studying, writing, submitting, networking, promoting), Guest Post Friday (an author stops by for a visit). Support this blog by commenting, subscribing and promoting. Leanne's latest book is The Sweater Curse (knitting-themed thriller).
Monday, May 20, 2013
Friday, May 17, 2013
Why Mysteries? by Phyllis Smallman
One of the
questions I’m always asked is, “Why do you write mysteries?”
First of all, I
love to read mysteries. Mysteries are epic adventures, life and death struggles
to right wrongs, to see justice done and to discover truth. Often reluctant and unprepared, the hero or
heroine goes on a quest, taking us with them.
Stories of crime
explore the darker side of human nature, greed, anger; jealousy and love…all of
these emotions are at the heart of a good mystery. We all fear being the victim
of crime. Each of us feels as vulnerable to crime as we do to disease. Money won’t protect you …nor does
education…nor culture…and while we already know how dangerous the world is
without mysteries to tell us, our fear holds us enthralled.
As I grow older a
phrase comes back to me…. “things are going to hell in a handcart.” From the bible to Starwars, the fight
against evil goes on. In fact the first
crime stories appear in the bible…Cain murdering Able...Joseph being sold into
slavery…the bible is full of tales of theft and murder, tales of the killing of
babies. And you think identity theft is
new? Think of Jacob stealing Esau’s
birthright. These stories tell us
things are not getting worse, they were always like this and for me this is a
comforting thought. We may not be winning but we’re not losing either. It is a
struggle that goes on day after day and generation after generation.
Crime is so
central to life we name it like the Eskimos name snow. Petty crime, blue collar
crime, or major crime, I write about it because I write about the drama of
life.
Phyllis Smallman
www.wphyllismallman.com
This article was first published on OmniMystery News on February 5th, 2013. It's re-printed here by permission of the author.
This article was first published on OmniMystery News on February 5th, 2013. It's re-printed here by permission of the author.
Phyllis Smallman is the award winning author of 5 books in the Sherri
Travis mystery series, chosen by Good Morning America as one of the 6
best mystery series for summer reading in 2010. Her next book, Long Gone Man out in the fall of
2013, and is the first in a new series.
***
Meet the author...
Phyllis Smallman will be moderating the panel discussion -- Marketing Your Work -- and will be providing blue pencil critiques at...
Making Crime Pay
National Crime Writing Month Mini Conference Events
Greater Victoria Public Library
Central Branch
735 Broughton
on Vancouver Island
in British Columbia
from 9:30 am to 1:00 pm
on Saturday, May 25th
Mystery Mini Chats to follow (from 2:30 to 5:00 pm)
this is a free event and well worth attending
***
Meet the author...
Phyllis Smallman will be moderating the panel discussion -- Marketing Your Work -- and will be providing blue pencil critiques at...
Making Crime Pay
National Crime Writing Month Mini Conference Events
Greater Victoria Public Library
Central Branch
735 Broughton
on Vancouver Island
in British Columbia
from 9:30 am to 1:00 pm
on Saturday, May 25th
Mystery Mini Chats to follow (from 2:30 to 5:00 pm)
this is a free event and well worth attending
Thursday, May 16, 2013
Writer royalties and advances
Recently a friend asked, "Are royalties the same across publishers? I understand royalties to be author gets a percentage of each book sold? Is that correct? What is the percentage?"
Here is my answer...
Royalties are usually between 5 to 10% of the cover price of the book. (The exception is an eBook publisher. They offer a higher royalty because they generally don't offer an advance.) For example, a paperback sells for $20. The author receives $1 or $2. And if you have a literary agent she gets 15% of your royalties. It doesn't look like much when you think in terms of a small number of books. But remember most publishers make large print runs.
Yes, you can make money writing. Two examples: J.K. Rowling and Stephen King.
This weekend I bought an excellent book on the craft of writing: The Breakout Novelist: Craft and Strategies for Career Fiction Writers by Donald Maass (literary agent). And I immediately skimming though it. I stopped dead in my tracks when I got to chapter 25--a chapter called Numbers, Numbers, Numbers.
Donald Maass writes: 'Advances are an estimate of eventual royalties .. A nonreturnable advance is money you keep, but advances levels are not permanent [and]...can go down suddenly and sharply.' He explains that the publisher's estimation on the amount you will earn is based on the net sales of 'your last novel.'
'[B]ookstore chain buyers...order new novels by the numbers, meaning according to the net sale of your last book. [If] [y]our last book sold poorly...there's no reason for a chain buyer to imagine that things will [improve]... So well known is this pattern that publishers' sales reps have a term for it: selling into the net...
'Weak sales on one book become a self-fulfilling prophecy on the next, and so on and so on...
'[And] there's no bouncing back.
[The solution:] Earn out. That starts with an advance that you can exceed in royalty earnings.' [p. 307 - 308]
***
Aspiring knitwear designer Gwen Bjarnson is stuck in Purgatory. To escape, she must re-examine her life, journey through her past and right a wrong. But which wrong?
Young and in love, she works to establish her career, except fate has different plans. One rash act and she loses everything. Never resting, always seeking, and yearning for what she can no longer have, Gwen faces the truth: if she remains, others are destined to die.
How will she solve the mystery before it is too late?
***
Sharing my author journey...
I'm starting to look at my author career not in terms of publishing one or two books but rather as a body of work. How does each book introduce, compliment, emphasize the next?
Here is my answer...
Royalties are usually between 5 to 10% of the cover price of the book. (The exception is an eBook publisher. They offer a higher royalty because they generally don't offer an advance.) For example, a paperback sells for $20. The author receives $1 or $2. And if you have a literary agent she gets 15% of your royalties. It doesn't look like much when you think in terms of a small number of books. But remember most publishers make large print runs.
Yes, you can make money writing. Two examples: J.K. Rowling and Stephen King.
This weekend I bought an excellent book on the craft of writing: The Breakout Novelist: Craft and Strategies for Career Fiction Writers by Donald Maass (literary agent). And I immediately skimming though it. I stopped dead in my tracks when I got to chapter 25--a chapter called Numbers, Numbers, Numbers.
Donald Maass writes: 'Advances are an estimate of eventual royalties .. A nonreturnable advance is money you keep, but advances levels are not permanent [and]...can go down suddenly and sharply.' He explains that the publisher's estimation on the amount you will earn is based on the net sales of 'your last novel.'
'[B]ookstore chain buyers...order new novels by the numbers, meaning according to the net sale of your last book. [If] [y]our last book sold poorly...there's no reason for a chain buyer to imagine that things will [improve]... So well known is this pattern that publishers' sales reps have a term for it: selling into the net...
'Weak sales on one book become a self-fulfilling prophecy on the next, and so on and so on...
'[And] there's no bouncing back.
[The solution:] Earn out. That starts with an advance that you can exceed in royalty earnings.' [p. 307 - 308]
***
Aspiring knitwear designer Gwen Bjarnson is stuck in Purgatory. To escape, she must re-examine her life, journey through her past and right a wrong. But which wrong?
Young and in love, she works to establish her career, except fate has different plans. One rash act and she loses everything. Never resting, always seeking, and yearning for what she can no longer have, Gwen faces the truth: if she remains, others are destined to die.
How will she solve the mystery before it is too late?
For more information, visit
http://sweatercursed.blogspot.ca/p/the-sweater-curse-ebook-blurb-reading.html
***
Sharing my author journey...
I'm starting to look at my author career not in terms of publishing one or two books but rather as a body of work. How does each book introduce, compliment, emphasize the next?
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